Website LinkThingpit LinkTaras Hrabowsky is a young painter from New York who has recently delved into the world of digital time-based art. As a child he mostly painted graffiti and small designs, but now his graffiti are impermanent videos touring the streets of this country.
Hrabowsky designs video images which he broadcasts off the side of buildings across the country. His most popular clip is called ThingPit, "a dense vacuum of detrius." If the motion is slowed down or paused repeatedly, it's obvious that there are things falling into an unidentifiable pit. Toward the end of the clip, everything that flew into the pit is dramatically pulled back out and into the world. Some things being thrown in could be fire, water, trees, houses, people, airplanes, and more. However, the film starts and ends exactly the same. The screen or wall being played on shows a gray brick wall. Starting slowly, the wall is crumbled into the center and begins to pull everything down with it. They are digital images computer manipulated to move across the screen.
There are other popular clips from this artist made using the same sort of technique and style. For someone who grew up and worked most of his life on painting, Taras Hrabowsky has managed to enter the digital world without explaining himself. In none of the bios or blogs flying around the internet, does it ever lead the reader to understand how this projection came to be. Hrabowsky animates things with the help and combination of his painting skills.
To better understand ThingPit, the viewer can read the meaning or definition of the title:
\’th`ing\ p`1t\
Noun
An entity, an idea, or a quality perceived, known, or thought to have its own existence.
a. The real or concrete substance of an entity.
b. A natural or artificial hole or cavity in the ground.
c. A natural hollow or depression in the body or an organ.
d. The single central kernel or stone of certain fruits
Verb
(often foll. by against)to match in opposition, esp. as antagonists:
a. a concealed danger or difficulty
b. guerilla projection made in opposition to a static view of our surroundings
c. a re-presentation of a coming together / an envirotron of differentiation
d. the commonly overlooked exultation in between
ORIGIN Old English (also in the senses “meeting” and “matter, concern”)
Personally, I feel that this artist conserves the mystery of the draw. The reason people feel a pull toward this art, not just because it is shown so publicly, is that the images moving so fast are hard to recognize as anything more than things. At a closer look, more familiar objects can be made out.
Sources:
http://rhizome.org/object.php?49677
http://beautifuldecay.com/2010/02/03/taras-hrabowsky/
http://www.impakt.nl/index.php/artworks/thing_pit
http://tarashrabowsky.com/?page_id=60